Don Anderson

Praised in the Winnipeg Free Press as “Winnipeg’s classical music hero” and for “an astounding musical career,” and on CBC Radio as “Manitoba’s foremost musical historian,” Don Anderson is an internationally recognized advocate of classical music. He has 40 years’ professional experience in celebrating it through print, radio, and teaching.

Don is one of North America’s most widely published authors of program notes. Since he began writing them 35 years ago, he has written 200 seasons’ worth, for 25 orchestras, chamber ensembles and schools, from British Columbia and California to New York and Vermont, from Manitoba and Minnesota to Texas and Arkansas, as well as the United Kingdom and Hong Kong. His latest client is the prestigious Lincoln Center for the Performing Arts in New York. His other clients have included the major symphonies of Toronto, Vancouver, Calgary, Edmonton, Rochester (New York), and San José (California). He has also written notes for touring performances by the London Symphony Orchestra, Rotterdam Philharmonic Orchestra, and the orchestras of Montréal, Ottawa (National Arts Centre Orchestra) and Québec, as well as feature articles for many of his clients. His CD liner notes appear on the Chandos, Harmonia Mundi, CBC and TSO Live labels. For the Toronto Symphony Orchestra, he has also written season brochures and concert presentations, and has hosted intermission chats in tandem with such world-class solo artists as violinists Maxim Vengerov and Janine Jansen.

He is the author, publisher and distributor of the best-selling book Tuning the Forks: A Celebration of the Winnipeg Symphony Orchestra. It has been hailed as “the best book on music-making in Canada (and for that matter, much wider afield) that I’ve ever read, and a serious work of art in itself.” – Bramwell Tovey

Don has contributed articles to magazines in Canada and abroad, such as Opera Canada, the SwissAir Gazette, and the program books of England’s Birmingham Royal Ballet and the Royal Winnipeg Ballet. He wrote for the Winnipeg Free Press, the city’s major newspaper, over a 25-year period (1977-2002). His contributions included reviews of concerts, recordings, videos and movies, plus feature articles and interviews. He is also a contributor to The Encyclopedia of Manitoba. MORE >>




One of the most beloved and most versatile actors in screen history, Jack Lemmon created a gallery of unforgettable and totally believable characters. He could play anything and play it expertly, from the broadest comedy to the starkest tragedy. These five films showcase the full range of his extraordinary talent. Don Anderson will introduce each one with extensive background information and trivia. Bonus features, including interviews and tributes from his illustrious co-stars, will further enhance your enjoyment.

The Apartment (1960): Lemmon plays C.C. Baxter, a lower-echelon worker in a major insurance company who hopes to get ahead by lending his apartment to his bosses for their extra-marital rendezvous. Shirley MacLaine and Fred MacMurray co-star in a film that won five of the 10 Oscars it was nominated for, including an unprecedented triple crown for Billy Wilder as producer, director and writer.
Days of Wine and Roses (1962): Alcoholism shatters the life of a young couple in this heart-rending drama that forcefully confirmed Lemmon’s ability to handle serious roles. Lee Remick co-stars in a film that received five Oscar nominations, including actor and actress.
The Odd Couple (1968): The course simply had to include one of Lemmon’s many teamings with his long-time comedy co-star, Walter Matthau. Here in Neil Simon’s Broadway smash, they play Felix and Oscar, friends who are total opposites in every way, who end up sharing Oscar’s ultra-messy apartment while the fussy Felix is undergoing a divorce.
The China Syndrome (1979): After a television crew unexpectedly films an accident at a nuclear power plant, a senior employee at the facility finds himself caught between his job and his conscience, in this highly suspenseful and thoughtful drama. Jane Fonda and Michael Douglas co-star in a film whose four Oscar nominations included actor, actress and original screenplay. Please note that this movie contains violence and coarse language.
Some Like It Hot (1959): Two 1920s musicians flee from gangsters by posing as members of an all-girl jazz orchestra, in this classic farce co-starring Marilyn Monroe and Tony Curtis. #1 on the American Film Institute’s list of America’s Funniest Movies, it earned Lemmon his first leading-role Oscar nomination (a rare event for a comedy).

Five Tuesdays, April 18 to May 16, 2017, 1:00 pm to 4:00 pm
Fee: $80

This course take place in the Community Classroom at McNally Robinson Booksellers, 1120 Grant Ave. To register, please call 204 475 0483, drop by the store, or log on to and click on Community Classroom. Please note that contents, fees and dates are subject to change.



Savour some of the grandest music composed between 1600 and 1750, in this gloriously entertaining music appreciation course. You’ll hear a wide-ranging assortment of instrumental and vocal works that exemplify the German, Italian, French and English schools of the period: music by more than 20 composers, including Bach, Handel, Vivaldi, Purcell, Corelli, Pachelbel, Telemann, Gabrieli, Pergolesi, Scarlatti, and many others. You’ll also learn about these composers’ lives, and delve into the artistic and social forces that shaped their era.

The superlative lineup of performers on CD and DVD includes singers Cecilia Bartoli and Karina Gauvin; orchestras such as Tafelmusik, Academy of Ancient Music, Musica Antiqua of Cologne, and Academy of St. Martin in the Fields; conductors Trevor Pinnock, Sir Simon Rattle, Christopher Hogwood, Sir Neville Marriner, Frans Brüggen, and Sir Charles Mackerras; piano and harpsichord soloists Glenn Gould, Angela Hewitt, Kenneth Gilbert and Igor Kipnis; violinist James Ehnes; trumpeter Maurice André; The Canadian Brass; and the choir known as The Sixteen.

Four Mondays, April 17 to May 8, 2017, 10:00 am to 12:00 pm
Fee: $80



For white-knuckle suspense matched with intelligent adult drama, the best films of director John Frankenheimer are hard to beat. After cutting his teeth in the golden age of live television dramas, he moved to the big screen and created a masterful series of thrilling movies, often on explosive, topical subjects. Don Anderson has chosen five of them for this absorbing course. He will introduce each one with extensive background information and trivia, and bonus interviews and documentaries will enhance your enjoyment.

The Manchurian Candidate (1962): Frank Sinatra, Laurence Harvey and Janet Leigh star in this gripping, cold war-era political thriller. Co-star Angela Lansbury displayed her dark side in a chilling, Oscar-nominated performance as Harvey’s mother.
Seven Days in May (1964): The American military looks to take over the government, in this tense, all-too-believable story. The exceptional cast includes Burt Lancaster, Kirk Douglas, Frederic March, Ava Gardner and Edmond O’Brien, who received an Oscar nomination for best supporting actor for this performance.
The Train (1964): Frankenheimer re-teamed with Burt Lancaster for this pulse-quickening, fact-inspired story about the French Resistance’s attempt to stop the Nazis from stealing France’s art treasures during the final year of World War Two. Paul Scofield and Jeanne Moreau co-star.
Seconds (1966): Rock Hudson gives an outstanding dramatic performance in this harrowing, Twilight Zone-like tale of a middle-aged businessman’s desperate search for a new life.
Black Sunday (1977): Terrorists threaten an attack on the Super Bowl, in this electrifying, grandly scaled suspense drama starring Robert Shaw and Bruce Dern.

Five Thursdays, Mar. 30 – Apr. 27, 2017, 7:00 pm to 10:00 pm
Fee: $80

This course takes place in the Community Classroom at McNally Robinson Booksellers, 1120 Grant Ave. To register, please call 204 475 0483, drop by the store, or log on to and click on Community Classroom. Please note that contents, fees and dates are subject to change.